THE CATCH

An inventive novel about family from a risk-taking writer.

Daley-Ward memorably played with structure in her memoir, The Terrible (2018), which combined prose and poetry to tell the story of her fraught childhood and young adulthood. Her debut novel finds her using a similar toolbox, but in a very new way. The book follows 30-year-old twin sisters Clara, a writer whose debut novel is making literary waves, and Dempsey, who works an uninspiring administrative job. The two aren’t close, and haven’t been since they were adopted into different families as children after their mother was found dead on the bank of the Thames. Clara was “the chosen one,” welcomed into a wealthy family, while Dempsey was adopted by a single man, a member of the local council—the twins are, as Clara says, “opposite halves of a strange truth, both born from a force unknown.” Clara is shocked when she sees a woman shoplifting at a department store and believes it’s her long-dead mother, Serene, somehow brought back as a 30-year-old with no children. Clara stalks the woman, and they eventually become friends, to the horror of Dempsey, who thinks her sister—a prolific drinker—is losing her mind. The novel switches perspectives between Clara, convinced that she's found her mother, and Dempsey, just trying to live her life, as Clara and the mystery woman enter into a bizarre and intense relationship. Daley-Ward explores the tension between the twins beautifully, with Dempsey struggling to pull her sister from the brink; both harbor barely concealed grudges against the other. (“Sometimes, I could happily decapitate my sister,” muses Dempsey at one point; not long after, Clara thinks, “Sometimes, I could happily strangle Dempsey.”) The novel ends with a genuine shock, but it’s earned—it’s a surprising conclusion to a beautifully written and structured book.

Elegant and unpredictable in the best possible way.